Housewifery.

There is a certain glamour in the chores of the home. The sweeping of crumbs and washing of plates. Arranging and order. The preparation of life.

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We Two Boys

The image.

The Poems:

1. Clutch
Love is a potent situation.
It distills the moments
Of absence or presence with
Its incessant demands.

2. Filter
A boy told me, a boy,
If I provide release,
He could set me free.

His desire, frightening,
My curiosity.
Smoldering cigarettes burned down.

3. Our Foray
Huddled close,
Eyelids sewn shut with needles,
We felt inside ourselves.
Droplets of water stood on our shoulders
Like tears.
It was the moment
When one’s body is replaced
By that of another.

4. Infidelity
No feeling can be relied upon to last in its full intensity, or even last at all.
I opted simply to pause, rather than end it completely.

5. Regained
“My need lives on.”
“My guilt remains.”

6. Content
A ring, inscribed,
Our silver cycle,
Reconciled.
Together we cling to memory,
Regret,
And call it love.

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Sharp dressed man.

Dear Tony,

Well, it’s been five months since we’ve been together, and I thought I would take a few minutes to let you know how special our blog is to me (and the rest of the world). Whether it be the explicit stories, the stylish interludes, or the elegant quoting, it seems you always have something meaningful to share with your growing legion of fans.

And I have learned some things, too. For instance, there is no reason to stop drinking when the alcohol is gone because there’s always more to swallow in the medicine cabinet. Also, I now know that you don’t need any excuse to put on your finest feathers, and once you have them on the only logical thing to do is take them off and get nasty.

But you should know that I am not the only one learning–you are impacting the universe in a fabulous way. To prove it, I’ve invited some friends to share their favorite memories of you. (HINT HINT–THAT MEANS YOU, READER, GO AHEAD AND LEAVE US A COMMENT BELOW! BE ANONYMOUS IF YOU MUST, IT DOESN’T MATTER AS LONG AS YOU ARE COMPLIMENTARY!)

Tony, you are an inspiration. I raise my glass to you, and my bottle, and my flask, and last night’s keg. I hope you enjoy all of the frenzied feedback from your fans. I know I will…

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In other words…

Roland Barthes offers up more ways to look at the lover’s situation. In his book on the subject, he defines some terms which help to analyze what goes on between two people. A couple of them seem particularly poignant to me at the moment:

Contingencies: Trivialities, incidents, setbacks, pettinesses, irritations, the vexations of amorous existence; any factual nucleus whose consequences intersect the amorous subject’s will to happiness, as if chance conspired against him.

Images: In the amorous realm, the most painful wounds are inflicted more often by what one sees than by what one knows.

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Lovers’ discourse.

When it comes to writing songs, Paul Simon is a true poet. I sit here listening to my life play out in his lyrics. For example, this song considers both sides of an argument between lovers, but it could easily be friends or anyone in a relationship. After spending the first verse talking about how much they love each other, it spirals down to a simple case of hurt feelings:

 

 

 

 

“You’re the one
You broke my heart
You made me cry
You’re the one

But when I hear it from the other side
It’s a completely different song
I’m the one who made you cry
And I’m the one who’s wrong
In my dream you spoke to me
And you said

You’re the one
You broke my heart
You made me cry
You’re the one

Nature gives us shapeless shapes
Clouds and waves and flame
But human expectation
Is that love remains the same
And when it doesn’t
We point our fingers
And blame blame blame

You’re the one
You broke my heart
You made me cry
And I’m the one
I broke your heart
I made you cry
And you’re the one
You broke my heart
You made me cry
We’re the ones”

I’m amazed that something so simple, such as a song, can make our emotions seem so understandable, so obvious. Unfortunately it isn’t as simple to solve these moments as it is to illustrate them.

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Catharsis

Soon after I finished The ring cycle, I realized that I was holding on to the past a bit too much. And when I allowed myself to consider the implication of the scene and not the scene itself, I had the answer to my problem. The quote from Whitman would simply be a means, not an end. And then the form took shape:

The song cycle will be called “We Two Boys.” The individual pieces, still taking shape, should tell a story, but tell it abstractly. And not the story of my memory. It will be a story of a relationship, a passionate relationship, with both the love and the hurt. Some titles I’m working with include “Together Clinging”, “Fulfilling our Foray”, “Elbows Stretching, Fingers Clutching”, “Infidelity”, and “Down to the Filter”.

The themes are known to us all–desire, jealousy, regret, love…. And they are important to me because it isn’t only the past that feels these things, I feel them all the time. They inform any relationship, again and again. And now they will inform my songs.

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The ring cycle.

From the dawn of time, in terms of art history, artists have been commissioned to create things. Murals, sculptures, poems and the like. All of these have been made for money.

I have been commissioned, but I will get no money. I would love to say that this is why I am having trouble with the project, but to say that would be a lie. My real problem is that I may not be a true poet. Also, I may have problems writing words as they should be and not as they were. Or as they happened.

I, like others, mine my inspiration from life. Often my own. And the truth of things is not my concern, but my feelings about those things are like a cage I cannot escape.

So this commission is to write a collection of 5-6 short text pieces which may be set to music. The umbrella theme of the event is “Of Love and War” and these pieces may or may not fit within the theme. They can be long or short, poems or prose, and about anything I damn well want them to be. Oh, except explicit sex. And I’m not allowed to curse.

This is a fun project, and one that was given to me based upon my work on this blog. My friend Robert and his friend George have both read my tales of triumph and desire and thought I may have something worthwhile to contribute. I think I do, but it is very hard to figure out exactly what it will look like.

If one is in the habit, as I am, of exploiting his personal past for the sake of “art,” he has to walk a fine line between confession and expression. He has to examine closely the intricacies of experience, and then only explore those things that may be universalized.

And so, I have identified a situation that seems suitable to sing. However, I cannot figure out how to deconstruct the moment into its tuneful elements. In order to get to this point, I’ve decided to first explore the situation here in greater details so that I may figure out the puzzle in the process.

When I think about “love and war” there is nothing more obvious to me than my relationship with Luke. The tensions we created and the complications we contrived were the stuff great battles are built upon. (And hopefully great art, too.)

We enjoyed the symbolism of things, often obvious but always meaningful. In this particular instance up for investigation, I was shopping for a present for his graduation. I had decided upon a ring, something financially feasible yet full of possibility. The ring itself was simple and silver, and large enough to fit upon his thick fingers. What made it special was the inscription.

I picked a quote from a Whitman poem, “We two boys together clinging.” The quote spoke volumes to me personally because of my own relationship with Whitman’s work, and also the fact that during one of the traumatic episodes from my past with Luke I had used this poem to woo another man. Luke and I had come together and then split because I couldn’t handle his obsessions. I was in the process of seeing another man, Mark, and had stopped by a friend’s house to prepare for a picnic date. Luke stopped by this friend’s house, too.

When Luke walked in, I was spread out on the floor writing Whitman’s poem in a card. Luke read the poem over my shoulder and erupted. Luckily, he also left. I had my date, but, never forgot how guilty I felt about it.

So in order to make reparations, I decided to reclaim this poem for Luke and put it on the inside band of his ring. The ring then developed a life of its own as we continued to have problems in the relationship and the tables began to turn and Luke prepared to break my heart as I had once broke his. We were living together and he was thinking of leaving, and one night I hid the ring so he wouldn’t take it with him. I wore it myself in the months of sadness, and then sent it to him in an attempt to reconcile. In light of all of this desire and desperation, the idea of “clinging” takes on new weight.

I must now figure out a way to reduce these memories into song. I know that I must build it upon the inscribed phrase. I also know that I must include another line of my own: “Smoldering cigarettes burn down to the filter.” To me this captures desire and reminds me of my chain-smoking ex.

However, what I do not know yet is what to include and what to forget. And what to remember, and what to make up. It is a vicious cycle.

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Pet Sounds (part three: D. O. G.)

My sophomore year of college proved to be one of those electrically-charged, the-most-important-year-of-my-life type of years. The previous summer I had lost my virginity. I was living in an art-commune with some of the most creative minds at my school. I was taking courses in writing and photography, and I was always on the verge of a breakdown.

After seven months I had lost most sense of reality, and had decided to move out of the house (which was less about art and more about drinking, dance, and orgiastic pleasure) and into a mostly deserted dorm building with my beautiful friend, Steffen. Steffen and I lived next door at the end of the hall on an otherwise empty floor. We took long study breaks and made fresh orange juice in the bathroom. We sat on the floor and cried during the Columbine shootings. I was studying Logic and performing in a stage version of A Clockwork Orange.

It was during this time that I met Dorian. (see also Muffin and Chip)

A summer drive in the country, and just like that he appeared. Racing alongside the car, smiling with tongue wagging in the air, he appeared and I couldn’t leave without him. I stopped the car, convinced him to come and see me with a ham sandwich, and we drove off together into the sunset.

Dorian was beautiful, which was why I decided to name him Dorian (after the man who was always beautiful). I actually decided on Dorian Oscar Gray, as both a silly acronym and a tribute to the book that established for me the power of gay love and desire. Basil Hallward was in love with Dorian. And so was I…


Dorian had a funny habit of crouching to pee, instead of lifting his leg. It was an idiosyncrasy that I found amusing, so I pointed it out to some friends. It was at this point that someone posed the question: “Why exactly do you think Dorian is a boy?”

“Whaddya mean? Why isn’t he a boy?”

“Only girl dogs pee like that.”

“Well, he has a penis, so I suppose he is just a confused boy. Kinda like me.”

“Have you ever looked?”

I realized that I hadn’t. I didn’t realize I needed to. So I looked. Hmph, I thought. Where’s his penis?

“Hey, I can’t see his penis. Where is it?”

“Nowhere. Dorian is a girl.”

Hmph, a girl. This is a problem. I can’t change her name. I like her name. Well, perhaps Olivia? Yeah, I can change it to that.

So Dorian Olivia Gray and I lived together for several weeks. I woke up early and walked her, then returned after every class for a cuddle or a play, and then more walks in the evening, and then when she napped I did homework. However, I realized that she didn’t have enough room to play, so she lived in the “environmental” house on campus for the rest of the semester. And at the end of the semester, we prepared to go home. Well, to my parents’ home.

Unfortunately I hadn’t finished my final papers, so Dorian and I moved in with a music professor, a friend of a friend. What was so interesting about this time was that Dorian would howl (as if a wolf at a moon) whenever I would leave the apartment. That, and the fact that the professor was trying to seduce me. But, the pure alto sounds of her howls helped me realize the extent of our connection.

Dorian drove home with me to my parents’ farm, and lived there for several more years. She was eventually run over by my mother, which was an accident that happened while Dorian was following her car to church. Mother was afraid that Dorian may be hit by the oncoming car, and so swerved to distract her. However, Dorian bolted in front of my mother’s van.

Before that tragic ending, however, Dorian enjoyed several years of romping and playing. Unlike Chip, Dorian enjoyed to roam, but not far from her food and shelter. The only sad thing was that I was a bad owner, and found it cute when she jumped on me or playfully bit. The problem was that she then jumped and bit everyone she loved. However, she bit me more because she loved me the most. I loved her, too. The only non-sister woman who has felt this love. Go figure.

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Pet Sounds (part two: match made in heaven).

So, just as Blurt eventually adopted a string of kittens, I too was blessed with a long-term furry friend. It took a move to the country, and some few years of growing, but one day my mother was ready to stop by the Mennonites large blue house which we always passed on our way home. The sign read “Puppies $5 a piece” and I was allowed to pick anyone I wanted. Well, I hadn’t had much time to think about this, so I ran through my list of requirements for my new puppy: 1) must be the best puppy in the world, 2) must be a boy. After explaining this to the woman in the white dress who wore a white cage-like thing over the bun in her hair, she told that there was only one male puppy left. She pointed to the bushes that ran along the side of the house and told me he was hiding in them. Sure enough, cowering below the branches was a cute little boy who also, it turned out, was the best puppy in the world.

His name was Chip, (sister’s recommendation, and a nice continuation of the food theme) and he was part Spitz and part Border Collie. This means that he grew to be a medium sized dog with a predominantly black coat of hair on top which was complimented by the white hair on his undersides. His face had little tan spots under his eyes and a white line down the nose, and his tail was a gorgeous, shaggy spiral of black with white stripe in the spirit of Pepe Le Pew.


That bushy tail was his trademark, his calling card, and the reason he was often mistaken for a skunk.

Chip pranced like a deer and snuffed like a bloodhound. He played frisbee, and tag, and slept in my tent whenever I decided to camp out in the backyard. Because he was foreced to live outside on our farm, he canvased the countryside looking for adventure. As the years passed, Chip proved himself to be the best dog in the world.

And just like his human counterpart (me), Chip began to grow restless on the farm. He began to take weeklong trips, fathering countless bastard children (sorry Bob Barker!), and worrying me to death. But he always came back. I would see his beautiful tail running through the field, and then he’d pounce up into my arms and lick my face for hours.

Then one day he didn’t return. His food bowl was left untouched. And for the second time in my life a dog broke my heart.

Four years later Chip showed up, pouncing and licking. But he had no tail. Just a stub, flapping in excitement. I spent the night sleeping next to him on the grass, searching his face for a clue as to what happened. The only thing he could tell me was that the world was too big to stay in one place. And that it isn’t good to be too attached to things. In the morning he left, never to return.

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Pet Sounds (part one: the melodrama).

Well, they are stories, actually. But I figure that if Blurt can win you over with her tales of the kitties, I’ll bet I can at least get some attention with my own memories of some wonderful puppies. Three wonderful puppies, to be exact. And we all know that three is the magic number.

The first of these puppy-pals was short-lived (an unfortunately poignant pun). Muffin arrived from heaven (I assume because I don’t remember where we got him) when I was still a very young boy living with the family in a rented house in the downtown (literally at the bottom of a hill) portion of our little midwestern village. Muffin, a beagle, pre-dated Ebony (if memory serves, which it often doesn’t) in our family as the first live-in-the-house pet. Muffin was a golden puppy and my very best friend, the first living creature I probably connected with in any meaningful sense, despite the fact that he only lived with us for a matter of weeks.

Because space was tight in our little rented house, Muffin was sentenced to live in the “utility” room in the rear of the house, the same room with washer/dryer and a door that lead out to the backyard. This was fine because he had his food and water dishes, and brown tile that I’m sure he may have peed upon if there was nowhere else to go. Muffin was the ideal puppy, bouncy and beautiful, with a face that not only a mother, but literally everyone in the world, could love.

Muffin’s mortal enemy was none other than our landlord who decreed from on high that we were not to have dogs in the house. Even in the back room. And despite my tears Muffin had to leave. So, he left, after only arriving a few weeks beforehand. My parents took him to the pound. Or, the “animal shelter,” as they called it, a place (they promised their sad, young son) that would help Muffin find a home and family to live with and be free.

Now did I mention that Muffin was the posterchild for all the pretty puppies in the world? Well, he was. In fact, the pound saw fit to place an ad in the paper with someone holding Muffin up for the world to see and love and come and adopt. And because I no longer had a Muffin to walk on the leash, I had to cut this picture out and tape it to the now-empty collar and drag it down the street. (True story, ask my parents or my Blurt if you don’t believe me.)

Now, one can only spend so much time walking around a newspaper cutout, he eventually has to comfort himself with the truth of the world that all good puppies will live long and happy lives. So I called the pound daily to make sure that Muffin had been adopted. The first thirteen days I called they always told me, the boy who loved him, that he was still waiting. And although they never mentioned it, I know that he also missed me as I missed him. Well, all of this was to change on the fourteenth and final day I made my call: “Oh, we only house animals here for two weeks, and then we put them to sleep if they aren’t adopted.” Did I mention I was six years old and loved my Muffin so much I walked around a picture of him taped to his old leash and that I was happily calling to check on the status of my beautiful friend and his happiness? Well, all of this was the case when the idiot on the phone talking to me thought it appropriate to explain that it was pound policy to murder my dog.

Well, my resourceful parents decided to console me with a gift. Ironically, this gift was a Pound Puppy named Muffin. The sad-faced stuffed animal wore a red hooded sweatshirt just like the one I always wore and could sleep in my bed and never had to leave. And it should be noted that he has never left. Ever. In fact, he’s there right now, take a look:

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